Sometimes there are no words. Paul Richmond’s first featured piece here boggles my mind to the point where I can’t tell if I love or hate it but its got something special about it.  I appreciate the other pieces below with much less personal ambivalence but still appreciate the conflict within them:  the elephant piece, says the author, was meant to “… [juxtapose] the dark, painful lives of performing animals with the fun, amusing atmosphere of the carnival” and I think it captures that nuance well, and the Dolly-inspired print …